Aesthetics of Computer Games for Virtual Environments by Stefanie Toth

By Stefanie Toth

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Take the example of the trill. When a saxophone player introduces a trill into a phrase, he/she begins with a note already present and structurally important in the phrase. 6 The trill is not simply the repetition of a prefabricated musical sequence. It is the use of a technique in the context of a particular piece. In this way, the trill becomes part of the phrase in question. Indeed, when a phrase incorporates a trill, the subsequent recurrence of the trill may serve as a probe to reactivate the memory of the whole phrase, even without the restatement of that phrase in its entirety.

9 The most obvious reason for this has to do with Coltrane’s choice of theme. “My Favorite Things” is widely known, easily recognizable. It is, again, stored in the long-term memories of most listeners. This eliminates the potential problem of losing track of a thematic phrase. cls April 23, 2003 21:47 Char Count= 0 26 . Cognitive Science, Literature, and the Arts long-term memory. There is no chance that the thematic phrases will decay in the course of the piece. Moreover, this presence in long term memory allows Coltrane much more freedom in playing variations on these phrases.

The other is the assignment of hierarchical relations among the elements or subunits of these units. ) A large (hierarchically structured) complex of (hierarchically structured) subunits is referred to as a model. Whenever we try to deal with any aspect of the world in any way, we necessarily form a model of that aspect of the world. Indeed, “model” is not so much a theoretical concept as a practical one. Models are differentiated from other units of information because of their use. There are many sorts of model.

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